Jocelyne Alloucherie
Jocelyne Alloucherie, OC (jibinaa ko ñalnde 8 feebariyee 1947) ko sehil Kanadaa, ƴeewtotooɗo jokkondire hakkunde seppooji, mahdi e fotooje rewrude e jolngooji.
Jinsu | debbum |
---|---|
Ɓii-leydiyankaaku | Kanada |
Innde | Jocelyne |
Innde ɓesngu | Alloucherie |
Ɗuubi daygo | 8 Colte 1947 |
Ɗoforde | Quebec City |
Wolde | Faransinkoore |
Sana'aji | sculptor, photographer, painter |
Field of work | art of sculpture |
Employer | Laval University |
Janngi to | Laval University, Concordia University |
Floruit | 2000 |
Notable work | Abstraction |
Memba en | Royal Canadian Academy of Arts |
Genre | public art |
Award received | Officer of the Order of Canada, Governor General's Award in Visual and Media Arts, Member of the Royal Canadian Academy of Arts, Prix Paul-Émile-Borduas, Q3404963 |
Laawol ngol laamu anndani | http://www.jocelynealloucherie.com |
Copyright status as a creator | works protected by copyrights |
Artist files at | Musée national des beaux-arts du Québec, Musée d'art contemporain de Montréal |
Kugal
taƴtoO jibinaa ko to Mont-Apica, to leydi Kebek, o waɗi duuɓi makko keewɗi gadani ko to Chicoutimi, o ummii to wuro Kebek ko adii hitaande 1961. O janngi ko juuti to duɗal jaaɓi haaɗtirde Ecole des Beaux-Arts, to leydi Kebek hakkunde 1961 e 1965. O janngii naalankaagal yiytere to Laval Duɗal jaaɓi haaɗtirde o heɓi seedantaagal makko B.F.A. (1971-73). O waɗii yeewtere solo e golle makko to Musee du Quebec e hitaande 1973. E hitaande 1974, o fuɗɗii jannginde kursuuji naalankaagal plastik to duɗal jaaɓi haaɗtirde Laval e sahaa gooto, tawi omo huutoroo waktuuji makko e naalankaagal makko. O heɓi dipolom makko Master e hitaande 1981 to duɗal jaaɓi haaɗtirde Concordia.[1] O jannginii naalankaagal yi’annde e daartol naalankaagal to duɗal jaaɓi haaɗtirde Laval, to duɗal jaaɓi haaɗtirde du Québec à Montréal, to duɗal jaaɓi haaɗtirde Concordia e to duɗal jaaɓi haaɗtirde Ottawa.[2]
Jocelyne Alloucherie rokkii heen miijooji ko faati e ƴellitaare golle mum e nder deftere kollirgol (Climats) yuɓɓinaande to duɗal jaaɓi-haaɗtirde Carleton e hitaande 2010 :
"I develop rich bodies of work, grouped together under the same title and whose relations change according to the time and place of their exhibition. Like pieces of music, they undergo variation according to the way they are interpreted, which is a function of the space in which they are shown. The conceptual thread of a work is constant, but the way it is exhibited is not absolutely fixed"