Murat Brierre

ɓii aadama
Jinsu	gorko
Ɓii-leydiyankaaku	Hayti
Innde	Murat
Ɗuubi daygo	1938
Ɗoforde	Port-au-Prince
Date of death	1988
Place of death	Port-au-Prince
Sibling	Edgar Brierre
Sana'aji	sculptor, printmaker
Residence	Hayti
Lenyol	African Americans
Significant event	art exhibition
Copyright status as a creator	works protected by copyrights
Artist files at	Smithsonian American Art and Portrait Gallery Library

Murat Brierre or Murat Briere (1938–1988) was one of Haiti's principal metal sculptors^[1] and was known for his recycling of surplus oil drum lids.^[2] He was influenced by George Liautaud, but his work acquired its own highly experimental style, often focusing on multi-faceted and conjoined figures, fantastically personified elements, and unborn babies visible within larger creatures.

Fedde fuɗɗorɗe e golle

Brierre waɗi golle dow laamɓe, waɗɓe kaɓirɗe, waɗɓe tile, e laamɓe. O jibinaa nder Mirebalais ko Port-au-Prince, Haiti, o ɓiyɗo e deerɗiraaɓe ɗiɗo.^[3] Ɓiɗɗo maako mawɗo, Edgar Brierre, o laati marɗo e mo taƴii. Ɗuum ɓooyi golle maɓɓe e innde maɓɓe tan, waɗi laaɓal nder nder golle maɓɓe dow ko ɓe waɗi.^[3]

Ɗuum ɗi Brierre waɗi ko fuɗɗii e duuɓi cappanɗe tati haa ujune ɗiɗi e nder duuɓi cappanje tati, ɗi holli ko woni dow ɗemɗe Kiristaane, Vodou Haitian, e nder ɗemɗe yimɓe. Brierre boo o laati marɗo, ammaa haa arti noon o suɓi gollaago bee metaal ngam o anndi ɗum haani e semmbe ruuhu. Ɗum waɗi ko ɗum huutoraaki. Ɓeeji ɓooyi naftoraaki e ɓooyi, ɓe ɓeydi, ɓe ɓesdi bee ɓooyi. Nden ɓe taƴi leɗɗe bee kuɗol, ngam ɓe timmina ɗe bee fiil.^[3] Ha caka 1970s, kuuje Brierre hawti e nokkuuje ɗe ɓe taƴi nder nder nder nder koode njamndi njamndi.^[3] Ɗuum ɓandu ɓanndu ɓanndu ko ɓanndu ndun.

Firooji solo

1968 - Centre d'Art, Port-au-Prince, Haiti; Bradley Galleries, Milwaukee, Wisconsin; Georgetown Graphics Gallery, Washington D.C.; Menschoff Gallery, Chicago; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Roko Gallery, New York

1969 - Centre d'Art, Port-au-Prince, Haiti; Showcase Gallery, Washington D.C.; Botolph Group, Boston

1970 - Centre d'Art, Port-au-Prince, Haiti

1971 - Centre d'Art, Port-au-Prince, Haiti

1972 - Centre d'Art, Port-au-Prince, Haiti; Roko Gallery, New York

1973 - Centre d'Art, Port-au-Prince, Haiti

1979 - Areta Contemporary Design, Boston

Firooji yimɓe

1969 - Davenport Art Gallery, Iowa

1974 - Davenport Art Gallery, Iowa

1978 - Brooklyn Museum, New York (jooftaade)

1980 - Davenport Art Gallery, Iowa

1982 - Studio Museum e Harlem, New York

1983 - Chicago Public Library Cultural Center

1985 - Davenport Art Gallery, Iowa

1987 - Musée du Panthéon National, Port-au-Prince, Haiti

1988 - Galeries Nationales d'Exposition du Grand Palais, Paris

1989 - Museum of Art, Ft. Lauderdale, Florida

2006 - Phyllis Kind Gallery ha haɓɓooɗe e Outsider Art Fair, New York

Kuugal art

L'Araignée (The Spider), 1970, iron

Bawon Samdi, 1970, fer

Christ sur la Croix (Krista dow gaafaangal), 1970, fer

Four Sirens, 1966, iron

Le Sagittaire en Démon (Sagittarius e Démon) , walaa taariik, fer

Visage en Fer (Jol e Iron), 1965, fer

TanFirooji

↑ "A Collection of Haitian Iron Works". Phyllis Kind Gallery. Retrieved 22 June 2020.
↑ DeLoughrey, Elizabeth M., 1967- (9 May 2019). Allegories of the Anthropocene. Durham. ISBN 978-1-4780-0558-2. OCLC 1081380012.CS1 maint: multiple names: authors list (link)
↑ ^3.0 ^3.1 ^3.2 ^3.3 Cite error: Invalid <ref> tag; no text was provided for refs named :1

[kind2-1] "A Collection of Haitian Iron Works". Phyllis Kind Gallery. Retrieved 22 June 2020.

[2] DeLoughrey, Elizabeth M., 1967- (9 May 2019). Allegories of the Anthropocene. Durham. ISBN 978-1-4780-0558-2. OCLC 1081380012.CS1 maint: multiple names: authors list (link)

[:1-3] 3.0 ^3.1 ^3.2 ^3.3 Cite error: Invalid <ref> tag; no text was provided for refs named :1

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